For artists
How to Submit Your Art to a Gallery
Most artists lose the submission before they ever hit "send" — wrong gallery, wrong images, wrong tone. The good news: gallery submission is a process, not a mystery. Here's the workflow that gets your work actually looked at.
1. Research the Right Galleries First
A "no" from a gallery whose roster looks nothing like your work isn't rejection — it's a mismatch you could have caught in five minutes.
- Look at the current roster. If every artist works in figurative oil and you make sound installations, keep looking.
- Check recent exhibitions. A gallery whose last three shows were all mid-career photographers is unlikely to take on an emerging painter.
- Note the price range. Your work should sit within the gallery's normal price band, not radically above or below.
- Read the gallery's About page. Many state their program explicitly.
2. Read the Submission Guidelines Twice
Every gallery worth submitting to has posted guidelines. Not following them is the fastest way to get filtered out. Common requirements:
- Preferred format (submission form, single PDF, portfolio link)
- Number of images and file size limits
- Whether they accept unsolicited submissions at all — many don't, and submitting anyway wastes both sides' time
- Review windows (some galleries only review in specific months)
3. Prepare a Cohesive Portfolio
Galleries look for a body of work, not one great piece plus a scatter. Your portfolio should:
- Show 8–12 recent pieces that read as a coherent series or ongoing practice
- Include high-resolution images shot straight-on, evenly lit, on a neutral background
- Label every image with title, year, medium, dimensions, and (for editions) edition number
- Lead with your strongest piece — reviewers rarely look past the first three images
4. Write a Tight Artist Statement and CV
Two short documents, both structured, both proofread:
- Artist statement: 150–250 words. What you make, what it's concerned with, why now. Skip the abstract art-speak — plain, specific language reads more serious.
- CV: Chronological, one page. Education, solo exhibitions, group exhibitions, collections, press, awards. See our artist CV guide for structure.
5. Submit, Then Follow Up Once
- Address a real person if possible — check the gallery's Contact page for the submissions coordinator or director
- Keep your email short: two sentences of introduction, one link to your portfolio, and the attached documents they asked for
- Track every submission in a spreadsheet — gallery, contact, date sent, response, next-step date
- If you haven't heard back in 2–4 weeks, one polite follow-up is fine. Silence after that is the answer.
6. What Galleries Are Actually Evaluating
- Fit with their program — does your work belong on their walls?
- Consistency — do you have a sustained practice, or a handful of unrelated pieces?
- Professionalism — well-shot images, clean documentation, clear labels
- Trajectory — are you showing regularly, in appropriate contexts, moving forward?
Talent matters. Fit and professionalism decide whether talent gets seen.
FAQ
Should I email or use a gallery's submission form?
Always use the submission form if one exists. It signals you respect their process; unsolicited email attachments are the fastest route to being ignored.
How many images should I submit?
Follow the gallery's spec. If none is stated, 8–12 high-quality images of recent, cohesive work — not a career retrospective.
How long should I wait before following up?
Two to four weeks is reasonable if the gallery hasn't stated a review window. One short, polite follow-up is fine; multiple is not.
What if my submission is rejected?
Assume it's about fit, not quality. Keep a spreadsheet of galleries you've submitted to, when, and outcomes — patterns matter more than any single response.
Keep a professional artist record.
Artworks, exhibition history, CV, press, and submission tracking — all in one private place. Send curated portfolios to galleries in seconds.